Skip to main content

The Mental Ward - A Look of Murder (12)


     Emery couldn't ignore that call.  Not when Beastly needed her so.  She raced down the hallway toward the sounds.
     Around the corner and through a doorway, Emery stumbled on the scene.  Two women huddled on the floor, eyes wide.  One of them was screaming, and the other seemed paralyzed with fear.  Beastly was on top of a man, apparently holding him down with superhuman strength.  In her hand, she held a knife, and an evil grin was on her face.
     Emery froze in the doorway, wishing she were not here to see this.  Beastly had the look of murder about her. Emery felt like she could throw up.
      Beastly licked her lips and faltered.  Her eyes grew wide, and she screamed Emery's name again.
     But the sound altered at the end into a yowl and the dark look covered her face again.  She pressed her knife lightly against the man's chest.  Then she shifted her weight, raising the knife high as if about to plunge it.
     Emery tried to close her eyes but they were frozen open.  She tried to shout but no sound would come.
     Suddenly Beastly looked up, her eyes meeting Emery's.  Again she faltered. The wild look left her face, replaced with a desperate one.
     "A...a...a story!" she cried, her voice catching as if the words were hard to say.  The knife waved wildly and light flashed from its blade.  "Emery!"

Comments

  1. I like how you're using story as a device to waken Beastly's inner humanity.

    ReplyDelete
  2. Cweepy... (Even if I haven't read previous installments.) BTW, I like the name Emery! :)

    I've nominated you for the Infinity Dreams Blog Award, if you're interested: http://traceydyck.blogspot.ca/2015/09/the-infinity-dreams-blog-award.html

    ReplyDelete

Post a Comment

Popular posts from this blog

Goodbye and God Be With You

It's rather fitting that some things come to a close on this day -- the last day of the year. I submitted my last entry into the Rooglewood contest this morning.  I can hardly believe it took me until the day of the deadline to send it in because I'm usually earlier than that.  And, even with the extra time I took, I still felt a little bit like maybe I could have done better if I had more time. But there was no feeling of regret when I hit "send."  Mostly it was just a prayer that Rooglewood would hear the heart of the message when they read it and that maybe, if I win, they could help me bring the full potential out of my little story.  And there was also a feeling, after working on these stories for more than six months, that it felt good to close that chapter and move on to the next one. I did it.  I wrote them.  And I'm really proud of them. Last year, the act of hitting "send" on my contest entry catapulted me into an anticipatory state....

Rooglewood Countdown: 12 days

     For the next 12 1/2 days, as we do our final countdown until March 31st, I'm going to do 4 posts asking about something you would like to see in the Snow White collection.      There are so many ways all of us, writers and readers alike, can win in this contest.  Maybe a familiar name makes it into the final five -- hurray!  Maybe a story in your favorite genre ended up in the collection this year -- woohoo!  Maybe you finally get to read a winning story about an evil king and his Snow White son -- how awesome!      So, in celebration of all the many things we can root for, I want to know some of the things that you think would be cool to find in this year's set of winners.      Without further ado, here is my question for the day: What is a point of view you would like to see in this collection?  Would you like a story written from the prince's perspective?  A story from Snow White's p...

Wherein I Still Have My Nose and Ears

     I decided to take the plunge.  I was going to chop a plot thread out of AAM so the story would fit in the contest word length restrictions.  I saved my old version and set up a copy for me to modify.      Stories are like woven cloth.  Each plot thread is woven into the entire story.  So if I decide to cut a character or a side-theme, I have to go through the whole book, chopping out the references to it.  This leaves gaping holes and sometimes it looks like the whole story is going to unravel.  Everywhere I chop, I have to readjust the whole scene to keep the flow.  It's a rather ticklish procedure.      Over the dinner table, I mentioned that I was chopping a sub-plot.  My younger sister protested loudly (she hasn't read it, but I previously told her the general idea).  Then my mom (who also hasn't read it) offered to read it and tell me what she thought could and couldn't be chopped. ...